Volume 3,Issue 8
“Moving Thoughts” and “Wonderful”: A Textual Research on the Blending Mechanism of Subject and Object in Gu Kaizhi’s Artistic Thinking
Gu Kaizhi plays an important role in the history of Chinese painting, and is praised as “Three Wonders” by contemporary people. Among them, figure painting is the most outstanding. Gu Kaizhi has profound and comprehensive cultural and artistic attainments, and has made remarkable achievements in aesthetic theory. “Fantasy” has become the core proposition of his painting theory and artistic creation idea, which not only makes a classic judgment for the development of China’s painting aesthetics, but also reveals the whole process of artistic creation. How does the creator interact and link with the real world, through the blending and meeting between the subject and the object, so as to show the emotions and thoughts contained in it incisively and vividly, and show the author’s subjective image by depicting the characters.
[1] Leng H, 2024, Analysis of the Artistic Characteristics of Gu Kaizhi’s Painting Aesthetics. In: Beijing Friendship Heritage Culture Foundation, Proceedings of the 2024 “Heritage Forum” Seminar. Zhenjiang Art Museum (Zhenjiang Painting and Calligraphy Institute), 27–31.
[2] Liu N, 2023, Re-examination of the Ideological Origins of Gu Kaizhi’s “Fantastic Thoughts” and “Vivid Portrayal”. Journal of Tianjin Academy of Fine Arts, 2023(02): 40–42.
[3] Liu J, 2023, Body Subject and Thinking in Images: An Analysis of Gu Kaizhi’s Body Aesthetic Thought of “Thinking Wonderfully”. Art Education Research, 2023(06): 39–41.
[4] Li M, 2022, Analysis of Gu Kaizhi’s Theory of Form and Spirit. Beauty and Times (Middle), 2022(01): 14–16.
[5] Diaoweng, 2022, Thinking Is as Wonderful as Gossamer. Children’s Chinese Studies, 2022(01): 26–27.