ARTICLE

Volume 3,Issue 8

Cite this article
2
Download
13
Citations
55
Views
26 August 2025

The Path for Cultivating Lacquer Art Talents in Universities Under the Influence of Regional Culture—Taking the Inheritance of Lacquer Art Elements from Chu Culture as an Example

Qianqian Liu2
Show Less
1 Shangqiu Normal University, Shangqiu 476000, Henan, China
CEF 2025 , 3(7), 154–160; https://doi.org/10.18063/CEF.v3i7.816
© 2025 by the Author. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

As a non-material cultural heritage treasure embodying regional spirit, Chu culture lacquer art offers rich materials for cultivating lacquer art talents in universities with its unique patterns, colors, and craftsmanship. Leveraging the abundant Chu lacquer artifacts in Hubei and the market demand for Chu culture IP, some universities have initiated preliminary teaching explorations. However, challenges remain, including insufficient cultural penetration in courses, a lack of cultural literacy among faculty, practices detached from cultural contexts, and weak innovation and transformation capabilities. To address these issues, it is necessary to develop a systematic curriculum module of “Chu” Culture + Lacquer Art”, build a composite faculty team combining “techniques + culture”, establish an immersive practice system integrating “campus + society”, and create a collaborative mechanism for “talent cultivation + cultural revitalization”. This approach aims to transition from skill-based instruction to culture-based education, fostering versatile talents with both cultural literacy and innovative capabilities, thereby promoting the contemporary inheritance and industrial revitalization of Chu lacquer art.

Keywords
Chu culture
University lacquer art
Talent cultivation
Regional cultural immersion
Industry-university-research collaboration
References

[1] Wang Y, Wang S, 2024, Research on the Development Path of Lacquer Art Cultural and Creative Products under the Regional Culture of Jilin Province. Screen Printing, 2024(6): 83–85.

[2] Ao D, 2025, Research on the Innovative Design of Regional Intangible Cultural Heritage Cultural and Creative Products under the Background of Cultural and Tourism Integration: Taking Yangjiang Lacquer Art as an Example. Shanghai Packaging, 2025(4): 74–76.

[3] Wang M, 2023, Research on the Practical Path of Inheriting and Developing Modern Lacquer Art to Promote the “Intangible Cultural Heritage” Culture of Xinyang Folk Customs. Art Appreciation, 2023(23): 43–46.

[4] Li W, Xu W, Yin M, 2023, Research on the “Activation” and Dissemination of Chengdu Lacquer Art in the Context of New Media. Tomorrow’s Fashion, 2023(6): 161–163.

[5] Wu S, 2022, Methods for Protecting Lacquer Art Culture and Constructing the Value of Lacquer Art Works in the New Era: Taking Fuzhou Lacquer Art Culture as an Example. Nature and Science, 2022(27): 6–8.

[6] Zhang F, Zheng T, 2024, Research on the Innovation of Aesthetic Education Work in Colleges and Universities Based on Intangible Cultural Heritage: Taking Lacquer Art Workshops as an Example. Nature and Science, 2024(18): 78–80.

[7] Zhang L, 2025, Exploration of Strategies for Developing Digital Teaching Materials for Lacquer Art under the Background of Intangible Cultural Heritage Inheritance. Journal of Tonghua Normal University, 46(05): 25–30.

[8] Quan M, 2025, Research on the Training Mode and Development Strategies of Lacquer Art Talents in Private Colleges and Universities: Taking the School of Art at Guangdong Peizheng College as an Example. Nature and Science, 2025(13): 100–102.

[9] Chen P, Li C, Chen S, 2024, Research on the Development Path of Fuzhou Lacquer Art Cultural and Tourism Products under the Background of Industry-Education Integration. Textile Reports, 43(03): 129–131.

[10] Dong H, 2023, Research on the Inheritance of Traditional Lacquer Art in the Design of Modern Cultural and Creative Products in China, thesis, Nanchang University.

[11] Qing F, Xie B, 2023, Integration and Innovation of Yi Lacquer Art and Miao Silver Ornament Forging Techniques in the Context of Industrial Revitalization. Tiangong, 2023(04): 29–31.

[12] He D, 2024, Exploration of Strategies for Integrating Ningbo Lacquer Art Culture into University Talent Cultivation. Chinese Culture Daily, 2024-01-19.

[13] Zeng T, 2022, Research on the Inheritance Path of Heilongjiang Intangible Cultural Heritage Lacquer Art. Journal of Heilongjiang University of Technology (Comprehensive Edition), 22(12): 148–152.

[14] Zhao Z, Li L, 2022, A Dream Followed by Red Lacquer, a Legacy Carried Forward—A Review of Lacquer Shines with Gold: Ningbo Intangible Cultural Heritage Lacquer Art and Its Inheritance through University Education. Chinese Lacquer, 41(03): 14–16 + 45.

[15] Wan J, 2020, Research on the Modern Apprenticeship Model for Lacquer Art Talent Cultivation Based on the Living Inheritance of Intangible Cultural Heritage. Journal of Ningbo Polytechnic, 24(06): 26–30.

Share
Back to top