Volume 3,Issue 9
From Tradition to Innovation: Modern Reinterpretation of Haiyang Yangko as a Cultural Heritage Dance
Haiyang Yangko, one of the most representative folk dances of Shandong, China, has long embodied communal rituals and cultural identity. However, its rigid structure and repetitive vocabulary have limited its relevance in contemporary performance contexts. This paper examines the modern reinterpretation of Haiyang Yangko as a case of cultural heritage dance reimagined for the stage. Using ethnographic documentation, choreographer interviews, and case study analysis of selected works—including Cherry Red, The Woman on the Other Side of the Mountain, Su Yue, and Red Coral—the research explores how choreographers preserve traditional movement grammar such as swing rhythms, circular steps, and “three bends” body shapes, while innovating through narrative expansion, abstract symbolism, and new prop design. Findings show that successful modernization requires balancing cultural authenticity with aesthetic innovation, ensuring resonance with both local communities and contemporary audiences. The study highlights three critical factors: cultural resonance, performer versatility, and audience-centered staging. It argues that modern reinterpretations of Haiyang Yangko not only sustain its intangible cultural heritage but also expand its creative boundaries, contributing to broader discussions on tradition, innovation, and cultural sustainability in the performing arts.
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