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Volume 3,Issue 9

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26 October 2025

Analysis of the Three-Layer Structure Design of Traditional Chinese Culture

Yuxin Tao1
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1 Harbin Conservatory of music, Harbin 150500, Heilongjiang, China
EIR 2025 , 3(9), 114–120; https://doi.org/10.18063/EIR.v3i9.1154
© 2025 by the Author. Licensee Whioce Publishing, Singapore. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

This study analyzes the structure of China's fine traditional culture and divides it into three interrelated dimensions: the "explicit object layer", the "formal system layer", and the "core spirit layer". At the level of objects, the selection of materials, the creation of shapes and the painting of patterns are not merely processes but material carriers of spiritual concepts. At the institutional level, the ritual system, the clan system and the economic system transformed abstract ethics into operational social practices. At the spiritual level, the cosmology of "harmony between man and nature", the aesthetic view of "moderation", the introverted transcendence of "self-cultivation" and the practical rationality of "applying knowledge to the world" jointly constitute the core value of culture.

Keywords
Harmony between Man and nature
Traditional culture "System"
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